Limber Limbs: The EP Review

by Helen Grant

Walking by the Opolis in Downtown Norman one night, I heard an unfamiliar band. Even though I couldn’t listen long, I did peek into the “micro venue” to find out who was playing. Genuinely, I was surprised to find out it was Limber Limbs. I know Derek Moore because of his work with DEERPEOPLE, but by that point I still hadn’t given Limber Limbs a good listen.

 

 

 

 

Right to left: Derek Moore, Robert Riggs, and Ben Bowlware. Photo by Doug Schwarz.

Right to left: Derek Moore, Robert Riggs, and Ben Bowlware. Photo by Doug Schwarz.

 

Limber Limbs is a reinvented band in some regards. Although they are still comprised of the original trio: Ben Bowlware, Robert Riggs, and Derek Moore, their previous name “People, People” was too hard to find on the Internet. They were essentially invisible to Google because a comma between the words “people” and “people” makes the search relevant only to the word “people.” Since they weren’t aiming to be intentionally obscure, the old name had to go.

Other signs of evolution? This is a band originally formed in Stillwater. And while Bowlware and Riggs are primarily based out of Oklahoma City now, Moore still resides in Stillwater. But that won’t be for much longer. Moore says he has plans to join the rest of the band in OKC by this summer. Being closer as band means the OKC metro will be hearing Limber Limbs perform more often, a prospect I find encouraging, because they do sound good live.

I liked their eponymous EP as a whole. Knowing that they’d snagged my attention once before, even if it was by chance, I shouldn’t have been surprised that I’d come to like the music so much. As it turns out Cameron Beckham Neal and Zack Zeller are listed as contributors on the EP.  Both musicians are in another OKC-based band called Horse Thief, which I like as well. Neal played cello and sang backing vocals on Golden Rust, while Zeller also sang backing vocals on the same song. Other contributors include: Jason Daugherty on violin and John Hildebrand on cello. I’ve listened to the EP probably six or seven times over the course of three weeks, starting when I assembled my Norman Music Festival wishlist and again on the way back from Austin Psych Fest as I played it for my co-Editor. Limber Limbs has a good thing going on. If I had more time, I could see doodling while listening to it.

The EP, released this past April, clocks in at four songs. The band’s material is cohesive in scope, but you’ll hear distinctive instrumentation between each of the songs. Take “Golden Rust” for instance; you’ve got a strong upbeat indie percussive element, although with not a lot of cymbals, that is layered with reverb-y vocals and string elements. There are also a few tempo shifts that pair well with the narrative. If you’re like me and like to examine lyrical content, then you’ll likely appreciate the literary allusions. “Sounds of “Sleep, perchance to dream.”

This Shakespearean reference is well-placed when you take into account the variety of themes presented throughout the EP. There are plenty of references to the feeling of near claustrophobic pressure in coming of age as one takes up the mantle of adulthood. This can be heard in a song like “I’m Coming Back.” On the sonic end these sentiments are echoed when the band shifts from more sparse instrumental arrangements into a wall of sound that envelops you before slowly releasing the tension once more. These motifs not only appear in songs about troubled love, but more broadly throughout the EP. There are weighty choices to be made and the consequence of each carries its own burden. The reference to Hamlet’s mental fatigue in taking charge of his life and righting past wrongs seems rather fitting for a band fond of alliteration.

I found the majority of the songs to have engaging song structures. The melody of “Mexico” is longing in all the right ways, and when compared to the other songs seems the most at ease. The walls aren’t closing in on this one, which makes sense since the narrative shifts and there is a reprieve from the pressure when roaming alone in a desolate land. It’s a song about escapism and finding time to think. Whereas the last song “As You Lay Down Your Head” brings that soaring sonic wall of tension back, but the bass and piano ground it as the last lyrics ask “Is your life laid out like the pictures you’ve seen?”

Speaking of seeing things, you can watch Limber Limbs and Chelsey Cope play The Blue Note this Friday. Doors open at 9 p.m. and there is a $5 cover. Check out their body of work via Bandcamp or follow them on Facebook. If you have to miss them, then take heart: we’ll likely have an interview with the trio up next week.

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  1. Pingback: OKC.NET | NMF7: The Oklahoma Film and Music Office

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